![]() ![]() “Metaphoric Fiber”, Joan Mondale Gallery, Textile Center, Minneapolis, MNĢ009 “Connected: The Stitch”, Cervini Haas Gallery, Scottsdale, AZ “Materials Matter”, Chiaroscuro Gallery, Santa Fe, NM “Fiber Art from East and West”, Library Gallery, Wuhan Textile University, Wuhan, China “Sleight of Hand”, Denver Art Museum, Denver, COĢ010 “In 3-D”, Belger Art Center, Kansas City, MO ![]() Housatonic Museum of Art, Bridgeport, CTĢ011 “Primary Structure”, San Jose Museum of Quilts and Textiles, San Jose, CA Berman Museum of Art, Ursinus College, Collegeville, PA “Reimagining the Distaff Tool Kit”, Swope Art Museum, Terre Haute, IN “The Art of Seduction”, Rouse Gallery, Howard Community College, Columbia, MD Jewish Museum of Contemporary Art, Overland Park, KS “Women to Watch”, Dean’s Gallery, Miller Nichols Library, UMKC, Kansas City, MO “Crowd”, Andrea Schwartz Gallery, San Francisco, CAĢ013 “Cheongju International Biennale, Something Old, Something New”, Cheongju Cultural Industry Complex, Cheongju, South KoreaĢ012 “High Fiber: Women to Watch”, National Museum of Women in the Arts, Washington DC “Radical Basketry”, Textile Center, Minneapolis, MN2014 “Altered: Krumm, Scruby and Weiner”, Turner Carroll Gallery, Santa Fe, NM “Faculty Exhibition, University of Wisconsin- River Falls”, Phipps Center for the Arts, Hudson, WIĢ015 “Art Miami”, Andrea Schwartz Gallery, Miami, FL “Interconnections”, Hunterdon Museum, Clinton, NJ “Organic Matter”, Mary Porter Sesnon Gallery, UC Santa Cruz, Santa Cruz, CAĢ003 “Familiar/Departure”, Linda Durham Contemporary Art, Galisteo, NMĢ002 “Material and Process: Negotiation and Accommodation”, University Art Museum, Missoula, MTĢ001 “Instinct and Memory”, Linda Durham Contemporary Art, Galisteo, NMĢ016 “Lines That Tie: Carole Beadle and Lia Cook”, San Francisco Museum of Craft and Design, San Francisco, CA “(Re)Conciliations”, Lemmons Contemporary, New York, NY Boulder Museum of Contemporary Art, Boulder, COĢ005 Cervini Haas/Gallery Materia, Scottsdale, AZĢ004 Andrea Schwartz Gallery, San Francisco, CA “Contemporary Fiber Artist: Deborah Folz and Tracy Krumm”, Bert Gallery, Providence, RIĢ013 “In the Making”, Sherry Leedy Contemporary Art, Kansas City, MOĢ011 “Explorations: The Flexible Linear Element”, Finlandia University Gallery, Hancock, MIĢ010 “Double Crochet”, LUX Center for Contemporary Art, Lincoln, NEĢ009 Andrea Schwartz Gallery, San Francisco, CAĢ007 “Over, Under, Around and Through”, Russell Hill Gallery, Gallery II, SW School of Art and Craft, San Antonio, TX Paul, MNĢ014 “In the Making: The Art of Tracy Krumm”, Ellen Noel Art Museum, Odessa, TX “Reconciliations”, Gordon Parks Gallery, Metro State University, St. ![]() Max currently lives in Los Angeles with his wife and three beautiful children.1987 Textiles, California College of Arts and Crafts, Oakland, CAġ993 The Evergreen State College, Olympia, WAĢ017 Andrea Schwartz Gallery, San Francisco, CAĢ015 Andrea Schwartz Gallery, San Francisco, CA His latest spot Nike “The Original Impossible” premiered before the 2023 NFL Super Bowl. His boundary-pushing spot for the NFL “Take It To The House, Kid” (2020) received two Cannes Lions in the Entertainment and Sports verticals, as well as four Sports Emmys. Max’s work behind the camera has earned him many prestigious honors, including several awards for Nike “Frozen Moment” spot featuring Michael Jordan, AICP Visual Style honors for Nike “Magnet” and “Move,” as well as recognition as an AICP Excellence Honoree for Nike “Freestyle”. The campaign also won bronze at One Show and was honored for Advertising Excellence/Campaign at the 2017 AICP Awards. His work on the Nike “Unlimited” Olympics campaign similarly generated an incredible amount of buzz across social media channels and was recognized with numerous awards, including the esteemed Gold Film Lion at the 2016 Cannes Lions International Festival of Creativity. “One in a Billion” – Adidas’ first-ever ad for China – was highly acclaimed for its championing of creativity and individuality in sports and took home Silver at the 2017 CLIO Awards for Fashion: Film. Russell.Īs a director, Max’s distinct visual aesthetic has received the attention of some of the world’s best-known global brands, having directed numerous films for the likes of Nike, Beats, Jim Beam, Volvo, Coca-Cola, Adidas, Samsung, T-Mobile, Blue Moon, Mercedes, and Apple. He would go on to bring his unique visual style to the world of commercials and feature films, working with such prolific directors as Jonathan Glazer, Michel Gondry, Jim Sheridan, and David O. Max Malkin began directing after an impressive career as a director of photography, cutting his teeth on some of the most iconic music videos of all time for artists including Eminem, The Dead Weather, Beck, Red Hot Chili Peppers, R.E.M., and The Beastie Boys. ![]()
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